The series revolved around the adventures of the Manhattan Clan and their human allies, and occasionally, their enemies. Now here in Manhattan, the spell is broken, and we live again! Stone by day, warriors by night, we were betrayed by the humans we had sworn to protect-frozen in stone by a magic spell for a thousand years. One thousand years ago, superstition and the sword ruled. It was a great moment that didn't pan out, but it was a great moment.During the opening title sequence of Gargoyles, clips from the show (many of them from the five-part pilot episode, "Awakening") are set to an instrumental score by Carl Johnson.ĭuring the second season, in order to familiarize new viewers with the show's backstory, Keith David (the voice of Goliath) provided a voice-over that played over the theme tune. But following a regime change, Weisman told Polygon, " Gargoyles became an old-regime show, and the idea of using it to create a Disney action universe completely fell away. So we began to develop all these spinoffs and backdoor pilots, like the New Olympians and the Pendragon episode, and others that we put into the second season," Weisman explained. "He said, 'Well, Warner Brothers has DC Comics, we need to have an action universe like DC or Marvel.' And he turned to me and said, 'Could we use Gargoyles as the launching pad for a Disney action universe?' And I said yes. At the center of an "action universe" would be Gargoyles, which proved a "homerun" hit in its first season fueled by top toy sales. ![]() The action-oriented animated series predated The Walt Disney Company's purchase of Marvel Entertainment, but according to Weisman, then-Disney CEO Michael Eisner considered buying Marvel Comics to compete with rival Warner Bros., which controlled DC Comics characters like Batman and Superman.
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